In “Interlaced, Interwoven,” Jewish Ritual and Contemporary Craft Converge

Maine Institutions Dissect the American Semiquincentennial

In Photos: The Boston Art Review Issue 16 Launch Party

Ornament as Argument: In Conversation with Chenlu Hou

At Harvard Radcliffe Institute, Eve Fowler Turns Language into Form

At Peabody Essex Museum, “Edmonia Lewis: Said in Stone” Reconstructs a Life Across Fragments

ArtWonk: Austerity Comes for the Biennale

Honoring Candelaria Silva-Collins

“Ripples in Still Water” Witnesses Community

Joanna Tam Plumbs the Ocean in “when blue meets blue”

“A Shell, A Peel, A Pause” Finds Magic in the Everyday

Over 150 Artists and Arts Administrators Turn out to Testify at the City Council Ways and Means Budget Hearing as City Council Cites “Limited Power”

“Persona” Crafts a Lineage of Performed Identity

To Float like Butterflies: Masha Keryan and Lavaughan Jenkins Recast the Boxer for a Contemporary Moment

Ready, Set, Go: Ten Spring Exhibitions Opening or Closing within Six Weeks

ArtWonk: Budgets, Brouhahas, and Beowolff

Mayor Wu’s Cut to FY 2027 Arts Budget Reveals Broader History of Underinvestment in the Arts and Leaves Programs in Limbo

A Requiem in Light: Ming Smith’s Early Vision

Gathering Memory, Mapping Diaspora: In Conversation with Kelly Taylor Mitchell

Jennie Jieun Lee Transforms Community-Sourced Kilns into Sculptural Installations